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‘The Color of the Sun’ Review: Teen Angst and Alienation Get a Sensuous Study in Okinawa

IndieWire | The Voice of Creative Independence • Publié le 15 septembre 2026

Venice: Xavier Tera's alternatingly unsettling and languorous debut lingers on a Japanese teen's fixation on a more self-assured American military brat. Both understand each other's language, but neither speaks it.

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Duncan Jones on Why It’s ‘Harder Than Ever’ to Make His Kind of Movies (and Why He Refused to Use AI for His Newest One)

TIFF: It took almost a decade for the "Moon" and "Mute" filmmaker to get his animated adaptation of "Rogue Trooper" off the ground. Sometimes, the filmmaker tells IndieWire, that's just what the vision entails.

IndieWire•

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The 2026 Toronto International Film Festival Awards Are Being Announced Right Now (Updating)

TIFF: This year's awards ceremony is happening now (both live and streaming); follow along for all the winners, including the much-anticipated People's Choice Award pick.

indiewire.com•

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Box Office: John Wilson’s ‘The History of Concrete’ from Magnolia Becomes IFC Center’s Second Biggest Debut

The offbeat documentary earned $90,000, second only to "Parasite."

indiewire.com•

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‘The Other Bennet Sister’ Fans, Rejoice! Dónal Finn Will Be Back for Three-Part Christmas Special

Mary Bennet's beloved husband, Tom Hayward, is officially back for the much-anticipated special. But so is his rival!

indiewire.com•

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How to Run a Microcinema with John Wilson

Filmmaker John Wilson tells IndieWire about helping to run the Low Cinema in Queens while also working on his new film “The History of Concrete."

indiewire.com•

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‘The Daughters of Abraham’ Review: Individualism and Community Test Each Other’s Limits in an Interfaith Friendship Drama

TIFF: Hanaël El Yousfi's feature debut follows the ongoing relationship between a Jewish woman and her Muslim friend, illustrating how the conflicting desires for independence and family connection are universal.

indiewire.com•

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Trying to Picture Doomsday? 1983’s ‘WarGames’ Already Showed Us One Way AI Could End the World

After a former Anthropic researcher warned that humanity's extinction could be as close as 2030, John Badham’s cyber thriller offers a frighteningly clear answer to the question: "OK, how?"

IndieWire•

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Phil Lord and Chris Miller to Deliver Keynote Conversation at IndieWire’s Future of Filmmaking Summit

The "Project Hail Mary" directors and producers will explain how they made their most challenging blockbuster yet at the Los Angeles summit on October 17.

IndieWire•

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Duncan Jones on Why It’s ‘Harder Than Ever’ to Make His Kind of Movies (and Why He Refused to Use AI for His Newest One)

The 2026 Toronto International Film Festival Awards Are Being Announced Right Now (Updating)

Box Office: John Wilson’s ‘The History of Concrete’ from Magnolia Becomes IFC Center’s Second Biggest Debut

‘The Other Bennet Sister’ Fans, Rejoice! Dónal Finn Will Be Back for Three-Part Christmas Special

How to Run a Microcinema with John Wilson

‘The Daughters of Abraham’ Review: Individualism and Community Test Each Other’s Limits in an Interfaith Friendship Drama

Trying to Picture Doomsday? 1983’s ‘WarGames’ Already Showed Us One Way AI Could End the World

Phil Lord and Chris Miller to Deliver Keynote Conversation at IndieWire’s Future of Filmmaking Summit